Disc: 1 |
Could I | |
1 |
Si tu le voulais |
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2 |
A l'aime |
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3 |
4 Songs, Op. 2: No. 2. The Nightingale and the Ros |
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When I have sung my songs |
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5 |
When I have sung my songs (unpublished take) |
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6 |
Ellen's Gesang III (Ave Maria!), Op. 56, No. 6, D. |
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On Wings of Dreams |
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Ellen's Gesang III (Ave Maria!), Op. 56, No. 6, D. |
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Plaisir d'amour |
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10 |
Jeune fillette (arr. J.B. Weckerlin) |
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Beau soir |
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12 |
Bonjour, Suzon! |
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13 |
3 Chansons de Bilitis: No. 2. La chevelure |
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14 |
Carmela, "Carmen, Carmela" |
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15 Tonadillas al estilo antiguo: No. 8. El mirar d |
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16 |
La Partida |
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17 |
L'amor contrastato, "La molinara", Act III: Nel co |
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Star vicino |
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A vucchella, "Arietta di Posillipo" |
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20 |
Ideale |
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Marechiare |
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Fa la nana, bambin' |
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Dicitencello vuie |
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24 |
Could I |
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Disc: 2 |
Interview with Rosa Ponselle by Ruby Mercer | |
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Amadis, Act II: Bois epais |
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Rosemonde |
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3 |
Guitares et mandolines |
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4 |
Poeme de l'amour et de la mer, Op. 19: III. La mor |
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4 Gesange, Op. 43: No. 1. Von ewiger Liebe |
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Schichte Weisen, Op. 4: No. 5. Mir traumte von ein |
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Erlkonig, Op. 1, D. 328 |
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8 |
In questa tomba oscura, WoO 133 |
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4 Rispetti, Op. 12: No. 1. Quando ti vidi a quel c |
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10 |
O del mio amato ben |
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11 |
Aprile |
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12 |
Amuri, Amuri |
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13 |
I battitori di grano |
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14 |
Drink to me only with thine eyes |
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15 |
The Night Wind |
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16 |
Homing |
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17 |
Introduction and announcement of Lully's Bois epai |
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18 |
Comments on Persico's Rosemonde |
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19 |
Comments on Saint-Saens's Guitares et mandolines |
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20 |
Comments on Brahms's Von ewiger Liebe |
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21 |
Comments on Trunk's Mir traumte von einem Konigski |
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22 |
Comments on Schubert's Erlkonig |
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23 |
Comments on Beethoven's In questa tomba oscura |
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24 |
Comments on Wolf-Ferrari's Quando ti vidi a quel c |
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25 |
Comments on Donaudy's O del mio amato ben |
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26 |
Comments on Tosti's Aprile |
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27 |
Comments on Sadero's Amuri, amuri |
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28 |
Comments on Sadero's I battitori di grano |
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29 |
Comments on Drink to me only with thine eyes |
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30 |
Comments on Farley's The Night Wind |
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31 |
Comments on Riego's Homing and concluding remarks |
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Disc: 3 |
Colombetta, "Serenata veneziana" | |
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Le nozze di Figaro, K. 492, Act II: Voi che sapete |
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Gli tre cicisbei ridicoli: Tre giorni son che Nina |
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3 |
An die Musik, Op. 88, No. 4, D. 547 |
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4 |
Der Tod und das Madchen, Op. 7, No. 3, D. 531 |
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5 Gedichte fur eine Frauenstimme, Op. 91, "Wesendo |
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4 Lieder, Op. 27, TrV 170: No. 4. Morgen |
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6 Romances, Op. 6: No. 6. Nur wer die Sehnsucht ke |
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L'Invitation au voyage |
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Psyche |
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10 |
Tristesse eternelle (arr. of Chopin's Etude No. 3 |
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11 |
No. 3. Asturiana |
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12 |
No. 5. Nana |
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13 |
My Lovely Celia |
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14 |
Sketches of Paris: No. 4. In the Luxembourg Garden |
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15 |
Agnus Dei |
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16 |
Ave Maria |
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17 |
Ave Maria |
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18 |
Ave Maria |
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19 |
Ave Maria |
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20 |
Se |
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21 |
Colombetta, "Serenata veneziana" |
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