| Disc: 1 |
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| Il barbiere di Siviglia (The Barber of Seville) (S | |
| 1 |
Overture |
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| 2 |
Act I Scene 1: Introduction: Piano, pianissimo (Fi |
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Act I Scene 1: Cavatina: See how the smile of heav |
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Act I Scene 1: Hey, Fiorello! (The Count, Fiorello |
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Act I Scene 1: Thank you, thank you (Fiorello, The |
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Act I Scene 1: Recitative: What common people! (Th |
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Act I Scene 2: Cavatina: La la la lera (Figaro) |
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Act I Scene 2: Recitative: Ah ha! What could be be |
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Act I Scene 3: I cannot see him anywhere (Rosina, |
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Act I Scene 4: Poor little innocent creature! (The |
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| 11 |
Act I Scene 4: Canzone: My poor heart is so full o |
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| 12 |
Act I Scene 4: Recitative: What's happened? (The C |
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| 13 |
Act I Scene 4: Duet: You need only mention money ( |
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| 14 |
Act I Scene 5: Cavatina: In my heart a gentle voic |
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| 15 |
Act I Scene 5: I can be so demure (Rosina) |
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Act I Scene 5: Recitative: Oh yes, I'll win the da |
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Act I Scene 6: Good morning, Signorina (Figaro, Ro |
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Act I Scene 7: Where would I be without him? (Rosi |
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| 19 |
Act I Scene 8: Who'd know? (Bartolo, Basilio) |
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Act I Scene 8: Aria: Innuendo, the slightest whisp |
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| 21 |
Act I Scene 8: Recitative: Well, what d'you think? |
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| 22 |
Act I Scene 9: So that's it! (Figaro, Rosina) |
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| 23 |
Act I Scene 9: Duet: Then it's me … (Rosina, Figar |
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| 24 |
Act I Scene 10: Recitative: Now I feel so much bet |
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Act I Scene 10: Aria: Dare you offer such excuses |
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| Disc: 2 |
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| Il barbiere di Siviglia (The Barber of Seville) (S | |
| 1 |
Act I Scene 13: Finale: Where's the master? (The C |
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| 2 |
Act I Scene 13: Ah! How long 'til I behold her? (T |
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| 3 |
Act I Scene 15: Stop this noise! (Figaro, Bartolo, |
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Act I Scene 15: Someone is at the door (Rosina, Be |
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Act I Scene 15: Last Scene: Pay attention! What's |
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Act I Scene 15: Frozen and motionless (Rosina, The |
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Act I Scene 15: Stretta: If I may … (Bartolo, Bert |
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Act II Scene 1: Recitative: I've got to find the a |
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Act II Scene 1: Duet: Peace and joy be yours for e |
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Act II Scene 2: Recitative: don't think we have me |
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Act II Scene 3: Come along, my dear, and listen (B |
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Act II Scene 3: Aria: When a heart for love is yea |
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Act II Scene 3: Recitative: What a talent, Braviss |
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Act II Scene 3: Arietta: Sweet little seventeena ( |
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| 15 |
Act II Scene 3: Recitative: Bravo, Signor Figaro ( |
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Act II Scene 4: Quintet: Don Basilio … (Rosina, T |
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| 17 |
Act II Scene 4: Now then, Signor Don Bartolo (Figa |
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| 18 |
Act II Scene 5: Recitative: Things can't get much |
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Act II Scene 6: He wouldn't trust his mother! (Ber |
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Act II Scene 6: Aria: First the Doctor wants to ma |
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| 21 |
Act II Scene 7: Recitative: So this is pupil Alons |
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Act II Scene 8: By force or persuasion (Bartolo, R |
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| 23 |
Act II Scene 8: Thunderstorm |
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Act II Scene 9: Recitative: We've made it (Figaro, |
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Act II Scene 9: Trio: Almaviva, not Lindoro! (Rosi |
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Act II Scene 9: Recitative: Ah! That's all we need |
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Act II Scene 10: Don Bartolo (Basilio, Figaro, The |
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Act II Scene 10: Last Scene: Don't move a muscle! |
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Act II Scene 10: Finaletto II: I love a happy endi |
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