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George Frideric Handel: Messiah
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Of all English oratorios Handel’s Messiah has always been the most overwhelmingly popular. It is the
least theatrical of his oratorios and the most purely sacred in its choice of subject matter. The vivid
choral writing – there are more choruses in Messiah than in any other Handel oratorio – coupled with the expressive density of the solo arias, have ensured its status as one of the greatest choral masterpieces in the Western canon.
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