WILLIAMS: Piano Music, Vol. 1 (Valentin Surif) (Marco Polo: 8.223799)
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Alberto Williams was the most influential Argentinean classical musician of the 20th century. As a pianist and conductor he brought distinction to the concert stage, while his compositions include nine symphonies among a considerable orchestral output. Yet it was in the field of education that he made his most significant contribution to music in South America, opening a Conservatoire in Buenos Aires on European lines. In his music he successfully merged a European musical training with an attractive and distinctive South American idiom. He was gifted in writing the most pleasing melodies, his piano works often coming close to the salon style of the late 19th century.
| Disc: 1 |
| Hueyas, Op. 33 | |
| 1 |
I Allegretto |
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| 2 |
II Andantino con moto |
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| 3 |
III Allegretto non troppo |
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| Berceuses, Op. 47 | |
| 4 |
I Andnate |
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| 5 |
II Larghetto |
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| 6 |
III Andante sostenuto |
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| Milongas, Op. 64 | |
| 7 |
XI Boleando avestruces (Allegro moderato) |
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| 8 |
XII Junto al fogon (Andantino) |
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| 9 |
XIII Mate amargo y otras amarguras (Lentamente) |
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| 10 |
XIV Escarceos de mi pingo (Allegro scherzando) |
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| 11 |
XV La vuelta al pago (Andante) |
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| 12 |
XVI Adios a la tapera (Andante mesto) |
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| 13 |
XVII Santos Vega bajo un sauce IIoron (Andantino) |
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| 14 |
XVIII La milonga del tropero (Andante con moto) |
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| 15 |
XIX La milonga del rastreador (Allegretto) |
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| 16 |
XX "Lo mesmo pa' diferenciar." (Frase ironica de l |
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| Primera Sonata Argentina | |
| 17 |
I Rumores de la Pampa (Allegro vivace) |
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| 18 |
II Vidalita (Andante espressivo) |
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| 19 |
III Malambo (Scherzo vivace, andantino) |
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| 20 |
IV Gauchos alegres (Allegro deciso) |
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