| Disc: 1 |
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| Si tu le voulais | |
| 1 |
Si tu le voulais |
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| A l'aime | |
| 2 |
A l'aime |
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| 4 Songs, Op. 2: No. 2. The Nightingale and the Ros | |
| 3 |
4 Songs, Op. 2: No. 2. The Nightingale and the Ros |
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| When I have sung my songs | |
| 4 |
When I have sung my songs |
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| When I have sung my songs (unpublished take) | |
| 5 |
When I have sung my songs (unpublished take) |
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| Ellen's Gesang III (Ave Maria!), Op. 56, No. 6, D. | |
| 6 |
Ellen's Gesang III (Ave Maria!), Op. 56, No. 6, D. |
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| On Wings of Dreams | |
| 7 |
On Wings of Dreams |
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| Ellen's Gesang III (Ave Maria!), Op. 56, No. 6, D. | |
| 8 |
Ellen's Gesang III (Ave Maria!), Op. 56, No. 6, D. |
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| Plaisir d'amour | |
| 9 |
Plaisir d'amour |
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| Jeune fillette (arr. J.B. Weckerlin) | |
| 10 |
Jeune fillette (arr. J.B. Weckerlin) |
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| Beau soir | |
| 11 |
Beau soir |
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| Bonjour, Suzon! | |
| 12 |
Bonjour, Suzon! |
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| 3 Chansons de Bilitis: No. 2. La chevelure | |
| 13 |
3 Chansons de Bilitis: No. 2. La chevelure |
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| Carmela, "Carmen, Carmela" | |
| 14 |
Carmela, "Carmen, Carmela" |
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| 15 Tonadillas al estilo antiguo: No. 8. El mirar d | |
| 15 |
15 Tonadillas al estilo antiguo: No. 8. El mirar d |
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| La Partida | |
| 16 |
La Partida |
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| L'amor contrastato, "La molinara", Act III: Nel co | |
| 17 |
L'amor contrastato, "La molinara", Act III: Nel co |
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| Star vicino | |
| 18 |
Star vicino |
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| A vucchella, "Arietta di Posillipo" | |
| 19 |
A vucchella, "Arietta di Posillipo" |
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| Ideale | |
| 20 |
Ideale |
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| Marechiare | |
| 21 |
Marechiare |
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| Fa la nana, bambin' | |
| 22 |
Fa la nana, bambin' |
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| Dicitencello vuie | |
| 23 |
Dicitencello vuie |
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| Could I | |
| 24 |
Could I |
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| Disc: 2 |
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| Amadis, Act II: Bois epais | |
| 1 |
Amadis, Act II: Bois epais |
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| Rosemonde | |
| 2 |
Rosemonde |
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| Guitares et mandolines | |
| 3 |
Guitares et mandolines |
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| Poeme de l'amour et de la mer, Op. 19: III. La mor | |
| 4 |
Poeme de l'amour et de la mer, Op. 19: III. La mor |
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| 4 Gesange, Op. 43: No. 1. Von ewiger Liebe | |
| 5 |
4 Gesange, Op. 43: No. 1. Von ewiger Liebe |
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| Schichte Weisen, Op. 4: No. 5. Mir traumte von ein | |
| 6 |
Schichte Weisen, Op. 4: No. 5. Mir traumte von ein |
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| Erlkonig, Op. 1, D. 328 | |
| 7 |
Erlkonig, Op. 1, D. 328 |
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| In questa tomba oscura, WoO 133 | |
| 8 |
In questa tomba oscura, WoO 133 |
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| 4 Rispetti, Op. 12: No. 1. Quando ti vidi a quel c | |
| 9 |
4 Rispetti, Op. 12: No. 1. Quando ti vidi a quel c |
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| O del mio amato ben | |
| 10 |
O del mio amato ben |
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| Aprile | |
| 11 |
Aprile |
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| Amuri, Amuri | |
| 12 |
Amuri, Amuri |
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| I battitori di grano | |
| 13 |
I battitori di grano |
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| Drink to me only with thine eyes | |
| 14 |
Drink to me only with thine eyes |
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| The Night Wind | |
| 15 |
The Night Wind |
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| Homing | |
| 16 |
Homing |
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| Interview with Rosa Ponselle by Ruby Mercer | |
| 17 |
Introduction and announcement of Lully's Bois epai |
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| 18 |
Comments on Persico's Rosemonde |
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| 19 |
Comments on Saint-Saens's Guitares et mandolines |
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| 20 |
Comments on Brahms's Von ewiger Liebe |
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| 21 |
Comments on Trunk's Mir traumte von einem Konigski |
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| 22 |
Comments on Schubert's Erlkonig |
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| 23 |
Comments on Beethoven's In questa tomba oscura |
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| 24 |
Comments on Wolf-Ferrari's Quando ti vidi a quel c |
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| 25 |
Comments on Donaudy's O del mio amato ben |
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| 26 |
Comments on Tosti's Aprile |
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| 27 |
Comments on Sadero's Amuri, amuri |
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| 28 |
Comments on Sadero's I battitori di grano |
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| 29 |
Comments on Drink to me only with thine eyes |
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| 30 |
Comments on Farley's The Night Wind |
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| 31 |
Comments on Riego's Homing and concluding remarks |
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| Disc: 3 |
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| Le nozze di Figaro, K. 492, Act II: Voi che sapete | |
| 1 |
Le nozze di Figaro, K. 492, Act II: Voi che sapete |
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| Gli tre cicisbei ridicoli: Tre giorni son che Nina | |
| 2 |
Gli tre cicisbei ridicoli: Tre giorni son che Nina |
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| An die Musik, Op. 88, No. 4, D. 547 | |
| 3 |
An die Musik, Op. 88, No. 4, D. 547 |
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| Der Tod und das Madchen, Op. 7, No. 3, D. 531 | |
| 4 |
Der Tod und das Madchen, Op. 7, No. 3, D. 531 |
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| 5 Gedichte fur eine Frauenstimme, Op. 91, "Wesendo | |
| 5 |
5 Gedichte fur eine Frauenstimme, Op. 91, "Wesendo |
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| 4 Lieder, Op. 27, TrV 170: No. 4. Morgen | |
| 6 |
4 Lieder, Op. 27, TrV 170: No. 4. Morgen |
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| 6 Romances, Op. 6: No. 6. Nur wer die Sehnsucht ke | |
| 7 |
6 Romances, Op. 6: No. 6. Nur wer die Sehnsucht ke |
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| L'Invitation au voyage | |
| 8 |
L'Invitation au voyage |
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| Psyche | |
| 9 |
Psyche |
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| Tristesse eternelle (arr. of Chopin's Etude No. 3 | |
| 10 |
Tristesse eternelle (arr. of Chopin's Etude No. 3 |
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| 7 Canciones populares espanolas (excerpts) | |
| 11 |
No. 3. Asturiana |
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| 12 |
No. 5. Nana |
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| My Lovely Celia | |
| 13 |
My Lovely Celia |
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| Sketches of Paris: No. 4. In the Luxembourg Garden | |
| 14 |
Sketches of Paris: No. 4. In the Luxembourg Garden |
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| Agnus Dei | |
| 15 |
Agnus Dei |
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| Ave Maria | |
| 16 |
Ave Maria |
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| 17 |
Ave Maria |
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| 18 |
Ave Maria |
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| 19 |
Ave Maria |
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| Se | |
| 20 |
Se |
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| Colombetta, "Serenata veneziana" | |
| 21 |
Colombetta, "Serenata veneziana" |
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